shell's a man as a perseverance story
at it's heart wrapped in the guise
of an action crime drama
how to move forward and a world
without direction as the question the main
character farm is struggling with in his
mind trying to navigate this world there's
been devastated turned upside down
when you reached a breaking point how
are you gonna respond are you going
to quit and fold or you're going
to keep going
minutes only just a son that's his
way of finding purpose within his mind
he lives his life and a tunnel
trying to find a lighted man
narratively i wanted to find a unique
way to represent the cyclical path me
and the other characters are stuck in
one of the audience to experience that
editing temple sound the picture of montage
it all became a vital part of
creating this notion that you have multiple
narrative circles whether some my going backwards
somewhere going forwards whether summer in the
past you are the as the audience
are finding your way through this maze
and puzzle put you in the passenger
seat along with some as he's navigating
these so
michael's with wanted to rely heavily on
subtlety to achieve this complex puzzle that
leaves you questioning what you really saw
it would actually happen is opened a
different interpretation
for me shazam man was a decade
long journey working with family friends who
have first time actors and a non
existing budget
and it all becomes worth it on
the see the result on the screen
and as the main character says in
the movie in my motto is but
one step in front of the other
when tomorrow comes to thank yourself for
the she took yesterday
nest at the heart of shells and
house
the time that again
quit fold
in person